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Pop Music Commodification Search result for 'Pop Music Commodification':
Paper Excerpts: ... of Pop. MTV has been labeled as the network that created the pop culture. Their audience ranges in age, however, it has subject, and the search for pop music brought up nearly 94 thousand. Of course, pop culture music includes everything their front door. Like David Denby's article states, pop culture "can be good for the soul" yet pop culture has 2 . Pop-fiction captures the modern relationship and holds it up for scrutiny. It is what causes it to become pop-fiction 2 Ethel Merman: A Classic Pop Singer? Some may question Ethel Merman's standing as a classic pop singer; however, I feel that she has every right to this ...
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Sources list for POP MUSIC COMMODIFICATION: Cohen, Adam. "Technology: A Crisis of Content It's not just pop music. Every industry that trades in intellectual property--from publishing to needlework patterns-- could get Napsterized." Time Magazine, October 2, 2000, pp. 68.The Case of Napster Mundy, John (1999) `Popular music on screen: From Hollywood musical to music video' Manchester University Press, Manchester. ISBN 0-7190-4029-9 The Music Video Neal, Mark Anthony. Sold Out on Soul: The Corporate Annexation of Black Popular Music. Popular Music & Society, Fall97, Vol. 21 Issue 3, p117, 19p Black American Music Kislan, R. (1995). The musical: A look at the American musical theater. New York: Applause Books. Musical Theatre History Mackay, Andy. Electronic Music: The Instruments, the Music, the Musicians. Rexdale, ON: Wiley, 1981. Electronic Music More sources on "POP MUSIC COMMODIFICATION"
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