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Cirque Du Freak

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... that of any other people" (W. E. B. Du Bois, 1996, p. 435). Du Bois understood that knowledge of one's culture was an is the artistic director of the newest of these circuses to begin to make it big - the Cirque Eos of Quebec - talks Cirque du Soleil show and high-stakes gaming. Fearing that it didn't have the time or money to keep up with rivals, Groups like Cirque du Soleil commission several new scores a year to be used as a part of their performances. These they are unusual. As a result of the dreams, he feels himself to be an outsider ("I am a freak - a freak of heredity") ...



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Sources list for CIRQUE DU FREAK:

Bozzetto, Roger. << Corps et decors du desir >>, Cahiers du CERF No. 5 (Grenoble), 121 - 132
Eros in Fantasy

Du Bois, W. E. B. The Conservation of Races in David Levering Lewis' W. E. B. Du Bois A Reader. New York: Henry Hold and Company, 1995.
Harlem, Paris Noir, and the Transatlantic Quest for Black Identity

Lees, Lisa. "Freak Show." (1998). Paper Cuts on My Soul. May 25, 2001. <http://lees. tcimet.net/~lisa/writing/essay/freak.html>.
"The Hunger Artist"

Le Corbusier. Chappele Notre Dame du Haut, Ronchamp, France, 1950-54. Tokyo, Japan. 1971.
Notre-Dame-du-Haut

Du Bois, W.E.B. From The Souls of Black Folk. In The Harper American Literature, Vol. 2, 2nd Ed. Donald McQuade et al. (Eds.). New York: Longman, 1993. 783-803.
W.E.B Du Bois and "The Souls of Black Folk"

 

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