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Sound In Film

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... Yet, regardless of this unquenching desire to be close to the resonance of sound, and therefore the first sounds of the or supernatural forces (such as explaining the sound of thunder as the sound of gods' hands clapping). Comte argued that teeth. However, sounds alone do not a language make. Sounds need meaning and signification that describe, distinguish, ask the beginning sounds of words and how these sounds phonetically represented the words that they created (PBS, 2002). Sound enters the ear canal as sound energy, Sound energy is simply changes in air pressure. Sound energy is transformed ...



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Sources list for SOUND IN FILM:

Mitchell, Doug. Timeline of Sound and Film. N/A. Middle Tennessee State University. Mar.15, 2004. http://www.mtsu.edu/~dsmitche /rim458/Timeline/timeline.html Mitchell, Doug. Timeline of Sound and Film. N/A. Middle Tennessee State University. Mar.15, 2004. http://www.mtsu.edu/~dsmitche /rim458/Timeline/timeline.html
Technology and Film

Kracauer, Siegfried, Vsevold Pudovkin, Grigori Alexandrov. *Statement on Sound.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>.
Film Noir: 1941-1953

Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 . Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 <http://www.filmscouts.com/sc ripts/film.cfm?Film=big-leb>.
“The Big Lebowski”

Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

 

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