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The Rape Of Lock As An Epic

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... The Rape of the Lock "The Rape of the Lock" is Alexander Pope's criticism on the vanity of his society. Society has lost the norms and values spirit-being named Ariel. Similarly, Belinda in The Rape of the Lock has a spirit familiar named Ariel. The Baron, in an Pope's "The Rape of the Lock," where desire for the unattainable becomes a melodrama of pilfering a curl, rather than a Pope's "The Rape of the Lock," where desire for the unattainable becomes a melodrama of pilfering a curl, rather than a literature: The Tempest and The Rape of the Lock. In using elements of the supernatural and pagan universes, these two ...



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Sources list for THE RAPE OF LOCK AS AN EPIC:

Jack, Ian. "A Complex Mock-Heroic: The Rape of the Lock." Twentieth Century Interpretations of The Rape of the Lock. Ed. G.S. Rousseau. Englewood Cliffs, NJ: Prentice-Hall Inc., 1969. 38-51.
"The Rape of the Lock"

Pope, Alexander. The Rape of the Lock. Alexander Pope: The Rape of the Lock. Ed. Cynthia Wall. New York: Bedford, 1998. 53-87.
Horace, Juvenal, and 18th Century Satire

Pope, Alexander. "The Rape of the Lock." In The Norton Anthology of English Literature, Volume I, M.H. Abrams (ed.), 1445-1463. New York: W.W. Norton, 1962.
"The Rape of the Lock"

Brower, Reuben A. "Am'rous Causes." Twentieth Century Interpretations of The Rape of the Lock. Ed. G.S. Rousseau. Englewood Cliffs, NJ: Prentice-Hall Inc., 1969. 52-68.
"The Rape of the Lock"

Cunningham, J.S. "Introductory." Twentieth Century Interpretations of The Rape of the Lock. Ed. G.S. Rousseau. Englewood Cliffs, NJ: Prentice-Hall Inc., 1969. 15-20.
"The Rape of the Lock"

 


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